the reason for the 2-tap version is that a granulator needs 2 overlapping grains at the very least to avoid clicks and make the sound smooth, and a 2-tap delay gives 2 seperate outputs from the same input, both reading from the same buffer. a delayline is just a buffer that is constantly being recorded into and out of, if they made a custom buffer it would have been the same thing. what i meant, is that the only way to do granular pitch-shifting is via a buffer, to recrod the audio and play thru it at a differant rate. So, I guess I need to figure out how to get the delay parameter nobs in the effect/instrument interface, or figure out how to get into the structure and turn that delay off.Īny tips would be greatly appreciated.I'm opening the manual now.scary.
But the controlls for the delay are not showin in the graphic of my pitch shift effect. Of course, what I did, being a novice ensemble developer, is to just insert the pitch shift effect.but as I started to double-click on that effect in structure view, and repeated this, I saw a 4 tap delay in there. Why is it doing this? The end result is that my ensemble sounds like it is strumming the chord, not playing each intervnal at the same ol, but not the effect I am looking for. However, when I made the second voice generate the b7 interval, it played delayed. For example, on pitch 1, when I first added the 3rd interval, it sounded played simultaneouly with the dry signal (root). The problem I am having however is that most of the pitches are acting as if they have delay on them. I save these two as snapshots, which become part of the Dom13 snap. For example, on my Dom13 Ensemble Snapsho, it includes a pitch shifter that generates the 3rd and b7th intervals, and then pitch shifter 2 creates the 9th adn 13th intervals. I am making several snapshots of each pitch shifter to construct the intervals of a chord. Basically, I have two dual pitch shifters.
I am working on an ensemble for vocalist that will construct complex jazz chords, based on intervals I create with pitch shifting.